motivation

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Subject Author Date
motivation BentPedals 10-15-2007
Posted by BentPedals on October 15, 2007, 10:13 am
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Been doing stained glass now for 27 years, primarily for my own
enjoyment. I've given up trying to convince people my panels and lamps
were a whole different creature from the $89 lamps they see in
Wlamrt/Kmart and other *fine* shopping and art establishments. Ergo I
build for my own enjoyment and couldn't care less whether any of my
pieces sell or not.

Was at my local glass shop the other day and got into an interesting
conversation with the owner. I mentioned the fact that I was
considering dropping most of my magazine subscriptions due to the fact
traditional stained glass articles don't frequent thier pages much
anymore. Magazine editiorial content shifts with the times, and seems
more focused on fusing, slumping, beading and mosiacs.

The shop owner mentioned the same shift of focus in the business, most
of the store classes involved in beading, fusing etc. have been booked
full for months, but the introductory foil class has a mere 3
students, and the introductory lead class was cancelled after only 1
student showed an interest.

I understand the fact that business has to change to keep up with th
trends. I'm kinda curious though, are business ie) store fronts and
magazines, leading the change to fusing, beading etc, to generate new
income, or are they like the rest of us, running along trying to
catch the hind teat?

We generally concluded that people today generally do not have the
time to dedicate to learning an art/craft and want a pastime with
quick results. They just don't have the time or patience to cut and
foil or lead for weeks before seeing the finished product. Much
easier to throw some scrap and frit into a mould, turn on the
automatic kiln controller, and viola, 6-8 hours later a finished
piece.

I guess craft trends tend to surge and wane. ten years ago you
couldn't walk down the street without tripping over a pottery shop.
Now they're few and far between. It leaves me kind of wondering if
stained glass art, (as I define it, requires the use of lead) is a
dying trend.

Posted by Jim on October 15, 2007, 2:54 pm
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Sadly, thou art correct....
Twenty years ago I bought whole sheets of stamps for my kid's college
fund, figgering mint condition sheets of old stamps would really appreciate,
since stamp collecting is the biggest hobby in the world. BUT! Now all
anyone wants is the little blocks of four stamps at the corners of printing
plates. I cannot get even face value for them, except for Elvis stamps.
As for glass, I saw a nice foiled lampshade today for $24.50.... <sigh>

> Been doing stained glass now for 27 years, primarily for my own
> enjoyment. I've given up trying to convince people my panels and lamps
> were a whole different creature from the $89 lamps they see in
> Wlamrt/Kmart and other *fine* shopping and art establishments. Ergo I
> build for my own enjoyment and couldn't care less whether any of my
> pieces sell or not.
>
> Was at my local glass shop the other day and got into an interesting
> conversation with the owner. I mentioned the fact that I was
> considering dropping most of my magazine subscriptions due to the fact
> traditional stained glass articles don't frequent thier pages much
> anymore. Magazine editiorial content shifts with the times, and seems
> more focused on fusing, slumping, beading and mosiacs.
>
> The shop owner mentioned the same shift of focus in the business, most
> of the store classes involved in beading, fusing etc. have been booked
> full for months, but the introductory foil class has a mere 3
> students, and the introductory lead class was cancelled after only 1
> student showed an interest.
>
> I understand the fact that business has to change to keep up with th
> trends. I'm kinda curious though, are business ie) store fronts and
> magazines, leading the change to fusing, beading etc, to generate new
> income, or are they like the rest of us, running along trying to
> catch the hind teat?
>
> We generally concluded that people today generally do not have the
> time to dedicate to learning an art/craft and want a pastime with
> quick results. They just don't have the time or patience to cut and
> foil or lead for weeks before seeing the finished product. Much
> easier to throw some scrap and frit into a mould, turn on the
> automatic kiln controller, and viola, 6-8 hours later a finished
> piece.
>
> I guess craft trends tend to surge and wane. ten years ago you
> couldn't walk down the street without tripping over a pottery shop.
> Now they're few and far between. It leaves me kind of wondering if
> stained glass art, (as I define it, requires the use of lead) is a
> dying trend.



Posted by Michael on October 15, 2007, 9:51 pm
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BentPedals wrote:

Ergo I build for my own enjoyment and couldn't care less whether any
of my pieces sell or not.

****************
I know that it may be tough for some in the business, and I am sad
about that, but I am in the same boat with you. I'm a few pieces shy
from having my first lamp together. I laugh and tell my friends and
family that a similar one can probably be had for $69, and since I'll
have around a hundred hours in it, that's about 69 cents an hour. Not
counting material. But I cannot express the enjoyment I've had
building it or the satisfaction I think I'll feel when it is done. If
I have built it well, it has the potential to last for years, maybe
centuries. If it isn't the best quality, the next one will be
better.

I have a walnut chest of drawers built by my great grandfather. It is
probably not the pinnacle of quality, but I don't care. I never met
him, and yet I think of him whenever I look at the chest or pull open
a drawer. It will never matter to my daughter that she could go out
and buy a better made lamp at Wal-Mart than the one I built. She will
remember that I built it.

Michael


Posted by Javahut on October 16, 2007, 9:43 am
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> BentPedals wrote:
>
> Ergo I build for my own enjoyment and couldn't care less whether any
> of my pieces sell or not.
>
> ****************
> I know that it may be tough for some in the business, and I am sad
> about that, but I am in the same boat with you. I'm a few pieces shy
> from having my first lamp together. I laugh and tell my friends and
> family that a similar one can probably be had for $69, and since I'll
> have around a hundred hours in it, that's about 69 cents an hour. Not
> counting material. But I cannot express the enjoyment I've had
> building it or the satisfaction I think I'll feel when it is done. If
> I have built it well, it has the potential to last for years, maybe
> centuries. If it isn't the best quality, the next one will be
> better.
>
> I have a walnut chest of drawers built by my great grandfather. It is
> probably not the pinnacle of quality, but I don't care. I never met
> him, and yet I think of him whenever I look at the chest or pull open
> a drawer. It will never matter to my daughter that she could go out
> and buy a better made lamp at Wal-Mart than the one I built. She will
> remember that I built it.
>
> Michael


Well put, very well said.



Posted by glassman on October 17, 2007, 11:09 pm
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> The shop owner mentioned the same shift of focus in the business, most
> of the store classes involved in beading, fusing etc. have been booked
> full for months, but the introductory foil class has a mere 3
> students, and the introductory lead class was cancelled after only 1
> student showed an interest.
>
> I understand the fact that business has to change to keep up with th
> trends. I'm kinda curious though, are business ie) store fronts and
> magazines, leading the change to fusing, beading etc, to generate new
> income, or are they like the rest of us, running along trying to
> catch the hind teat?


Years ago it was Tiffany style lamps then SG boxes..... clocks.....
kaleidoscopes...... fan lamps, then mosaics etc etc. It's always something
that no one thought about that causes new income opportunities. Retailers
need to find new customers to survive.



--
JK Sinrod
www.SinrodStudios.com
www.MyConeyIslandMemories.com




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